Colors of Nature: Natural Dyes in Handblock Printing That Leave a Lasting Impression

The art of making natural dyes is certainly an art living for thousands of years. They were an accidental discovery from the use of berries and fruits but with more experimentation, there has been a massive scope for vegetable dyes as well. From one civilization to another, natural dyes have contributed significantly to historical events which are evident from archeological discoveries of cave paintings and records of ancient textiles.

On the other hand, hand-block printed fabrics started off cultivating cultural remarks in the East across various countries. The 15th and 19th centuries saw the rise of block-printed textiles in the West.

In contemporary times, only a few areas are adept at using natural dyes, however, the demand is something that keeps on increasing for it. Thanks to all the efforts by designers, environmentalists, and the remaining natural dye users the making of natural dyes is still relevant. They have contributed significantly to promoting the advantages of using natural dyes. In this blog,


Let’s go through some of the renowned ingredients used in natural dyes which contribute to the advantages of such dyes:

Manju Phal: It is extracted from the nut galls of the tree of the same name. It gives cream and gray shades with alum and iron mordant and is perfect for silk and wool fiber base fabrics.

LAC: Extracted for dyeing of wool, cotton and silk fabrics, this material originates from the Lacifer Lacca Insects. It delivers exclusive shades with the right mordant, which means that for instance, combining LAC with a copper mordant will give you a purple shade, and with a tin mordant it will give you a reddish shade. The colors obtained are light and easy to wash and rub.

Indigo Blue: It gives blue shades and is made out of the leaves of indigoferra tinctoria. It is one of the most ancient dyes used in fabrics.

Himalayan Rhubard: Its roots are used to make dyes with alum mordant and can be used on different kinds of natural fabrics. It’s best for producing yellow and orange shades. Its botanical name is Rhumemodin.

Walnut: The dye is cultivated from the bark of walnut trees and it yields a good-quality brown shade. Ideal for dying silk and wool. Major centers for walnut dye are parts of Europe like France and Italy, and the state of California in the USA.

Black Myrobalan: It is best for yielding grey and yellow shades with ferrous and aluminum mordants. Best for dying wool, cotton, or silk, Black Myrobalan is extracted from the fruit of Harda. The major producing center for this dye is Goa and Konkan in India.

Kamala Dye: It is perfecting in exuding yellow shades on wool and silk fabric base and is extracted from flowers of a Kamala Tree.

Madder: It exudes quality shades of orange, pink and red shades and is washable in efficient time. Its botanical name includes rubia tinctoria (European Madder) & rubia cardifolia (Indian Madder).


The combination of natural dyes and hand-printed fabrics is a beacon of hope for sustainability during times of rampant consumerism that lead to grave environmental consequences. Natural dyes extracted from plants, minerals, etc. are harmless to the environment. This eco-friendly approach extends from the source to the crafting process, ensuring that the delicate balance of nature remains undisturbed.

By choosing natural dyes, artisans and consumers join hands together to contribute to a more harmonious existence with the planet. These dyes decompose naturally without releasing any toxic chemicals, therefore eliminating the risk of environmental degradation. In favor of the consumers, materials used in making natural dyes and eventually hand-crafted products guarantee durability. On the other hand, artisans cultivate a deep understanding of the ecosystems they depend on, cultivating mutual respect that flows into their creations.


For centuries, hand-block printing, along with natural dyes, has been the key ingredient of cultural heritage for different regions of the world. Every region’s prints narrate a story woven into its history and rituals. The Ajrakh tradition of India and the batik technique of Indonesia are examples of hand-block printing methods infused with natural dyes that serve as an essential window into understanding a culture.

When you adore these prints with your eyes, you will be able to have a grasp of understanding the identities, the traditions, and the symbols intertwined in them. Not only that, you will be able to empathize with the artists who work hard to keep the art form alive as a tradition, something done for centuries by the generations preceding them. It’s a cause dear to the local communities and their culture that want you to hear out their stories of resilience, heritage, and shared humanity. 


The union of hand-block printing and natural dyes transcends transient fashion trends. Each piece bears the fingerprints of an artisan's dedication and creativity. The rhythmic process of carving intricate designs onto wooden blocks and hand-stamping them onto fabric is an act of devotion. These textiles, imprinted with the artist's essence, carry the energy of countless hours spent perfecting their craft.

The natural dyes deepen this connection, breathing life into the fabric. As these textiles age gracefully, they develop a patina that weaves its own tale—a tale of memories, emotions, and experiences. The fabric becomes an inseparable part of the wearer's journey, reflecting not only their personal narrative but also the journey of the artisans who poured their heart into its creation.


Hand-block printing techniques stand as a testament to human ingenuity and the beauty of imperfection and the use of natural dyes just strengthens that point. The hand-carving of wooden blocks is a matter of patience and skill that the artisan invests, which consumes a lot of time, thus one needs to pour their heart into the craft in order to stick with it for a long period of time. The result is not a mechanically replicated pattern, but a unique and personal creation. No two hand-block prints are exactly alike, much like snowflakes or fingerprints.

What separates hand-block printed fabrics from mass-produced machine-made goods is that they offer a sense of personal touch that deeply resonates with consumers who believe in expressing themselves through their style. There’s a sense of authenticity tearing uniformity out of its way. The imperfections in the print remind us of the human touch that defines the essence of art and creativity.


The natural dyes on hand-block printing harmoniously blend tradition, sustainability and human connection. As we have marked our way through the realm of color and culture we have discovered the true potential of artistic fields like fashion to transcend mere aesthetics and embrace a holistic ethos.

By purchasing hand-block prints in natural dyes, we aren’t just picking better fabrics, we are also putting our contribution towards the legacy of craftsmanship, stories and ethical choices. This implies everywhere in your consumer life whether you want to buy a maxi dress online or buy a midi dress online comprising hand-block prints by using natural dyes. Its mere existence teaches us that every color and every pattern is a shade and way of life. These magnificent pieces represent a meaningful connection, between the artisans, the Earth, and the leaving artistry that defies the thought-less conformity.